Tomas Boudreau Instr. Linda Howell English 1137-002 02 October 2009 Review of Enoch Arden in the apprehend Shelter dramatist Judith Thompson successfully re-contextualised Lord Alfred Tennyson’s epic poem “Enoch Arden” into a attestant accessible modern-day circumstance. Thompson saw a semblance amongst two mentally ill characters suffering in a Toronto half trend house and the characters of Tennyson’s poem. The product of Thompson’s inspiration is a melodrama appropriately titled Enoch Arden in the Hope Shelter. Incorporating Richard Strauss’ mellifluous composition to a chilling effect, director Simon Mallet sagely did not stray far from Thompson’s original work. The soon run-time of Mallett’s production, at just over an hour, is a purge portrayal of two of societies misunderstood outcasts fighting for dignity done with(predicate) artwork, and perhaps a chance at tell obscure where love has been lost. In the play, Jabber (Trevor Leigh) is however fully consistent when reciting Tennyson’s poem and the nearly catatonic Ciel (Angela Cavar) hatful only spend through Strauss’ music.

The idea that catharsis through art can cleanse the spirit in a way that formulaic methods of therapy cannot is a running theme throughout the play. From a heathenish standpoint, Enoch Arden in the Hope Shelter deals with the injustice of genial ostracizing and the ultimately desperate fate of the mentally ill who are left at the mercy of charity. The story challenges a instruct predetermine towards the few individuals seen as insane that the vie wer may or may not be aware that he or she ! holds. The surprise—or shame—that the audience feels at this alter revelation adds to the significance of Thompson’s production and raises cognisance close to such misconceptions. However, I would not define Enoch Arden in the Hope Shelter as simply a kind commentary, as the artistic merit is as equally challenging as is...If you want to get a full essay, shape it on our website:
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